It's time for the Thundering Thursday! This week we are going to show you how to create realistic Sun effects with Optical Flares in AfterEffects. This is although a basic tutorial but atleast a proficient level of knowledge in AfterEffects is required. Big thanks to Blake Zebo for this video.
Enjoy the video and keep your eyes on this blog for more updates!
Hi and welcome to our first new edition of Wow Wednesday! In this edition we are showing a text effect tutorial in Photoshop CS5. In this tutorial you'll learn how to create a Papercraft Text effect. Now the tutorial is about for 15 minutes, so I recommend a cup of coffee with this tutorial. Jokes apart, this tutorial is done by ChChCheckItsClan (weird username, isn't it?). So sit back with a cup of coffee and enjoy the tutorial.
Hello and welcome to the first episode of Monday Feast. This edition we are going to present the preview of all new Corel Draw X6. This version has much exciting features compared to other previous versions of Corel. Advanced web designing tools, revamped PowerClip feature and friendly user-interface are the few features of the Corel Draw X6.
Check this preview video of Corel Draw X6 by Corel Australia.
Part I
Part II
More tutorials coming soon of Corel Draw. Watch the space regularly. Till then enjoy the videos.
Today we start off with congratulating Kolkata Knight Riders for clinching their maiden IPL title at Chennai against Chennai Super Kings. The team's successful fight against the Dhoni & Co. reflected the fighting spirit of Bengal. Well done KKR!
Welcome to the first episode of Saturday Showdown. In this episode we are going to introduce to you the latest Adobe AfterEffects CS6. Now as you know that Adobe has stopped support of AfterEffects and Premiere Pro for the 32 bit (x86) machines from CS5, this version of AE will work on 64 bit (x64) only. So first check your PC to make sure that you are using a 64 bit version.
Here is the demo video from Adobe TV.
Along with this, a small industrial review of AfterEffects CS6 by 3D World:
Nuke, Fusion and Motion (the latter available only as part of Final
Cut Studio) are all capable of turning in a great job, but it’s
generally agreed that After Effects holds the title of industry leading
compositor.
And with its Adobe CS integration, it is just as suited for use by 3D
animators as it is by video pros, 2D animators and multimedia
producers.
As with most incremental upgrades, After Effects CS5.5 does a lot to
shore up the application as a whole, and thus limits the new features to
a short list we’ll look at in a moment.
Under the hood, 5.5 builds on CS5’s transition to a true 64-bit workflow.
A vastly improved disk caching system ups the default from just 2GB to a whopping 20GB – more than capableof dealing with today’s huge HD files.
We weren’t able to do a direct comparison test, but Adobe claims this provides significant playback gains.
After Effects CS5.5 also now displays each layer’s caching individually, enabling you to know just what content is in the cache.
The most-touted new feature is the Warp Stabilizer, an advanced
stabilisation toolset that not only automates target creation, but also
synthesises image content to avoid heavy cropping (stealing some
technology from Photoshop’s Content-Aware Fill).
It’s a genuinely useful tool for film and video work, but will be of less use to the 3D animator.
After Effects’s stereoscopic workflow now streamlines the entire
process to make it a bit less complex and a lot more functional.
The stereoscopic process is still challenging, but is becoming more mainstream every year.
It’s also a natural opportunity for 3D animators who use software that likely already has stereoscopic-aware toolsets.
Lights in After Effects’ 2.5D world finally allow a natural fall-off.
While it’s no replacement for 3D applications, 2.5D can save loads of
production time, and Adobe keeps making it more and more usable.
Hope you enjoy this edition of Saturday Showdown. Stay tuned to our blog for more cool stuffs.
So now it's time for the Friday Blockbuster. This time we are going to show you a sneak peak of the new FiberMesh option in Z-Brush 4 with R3 update. Although the FiberMesh was introduced with the R2b release only on January 2012, R3 continued the same option with not many changes to look into.
Here's a demo video of how the FiberMesh will work in Z-Brush 4 R2b.
With ZBrush 4R3 your models will benefit from having real sculpted
geometry, and exportable hair and fur! With this amazing new feature,
you can even grow plants, weeds, shrubs and other amazing environment
details. Simply mask an area to define where the fibers will grow. Use
the various FiberMesh features to quickly define your look. Best of
all, you can even use Polypaint information to generate a wide range of
colored fibers.
The amazing power of FiberMesh comes from the ability to see what
changes you are generating in real time as you work. From the earliest
stages of your projects development, you will interactively see and
modify the size, thickness, flare, and gravity associated with your
fibers.
With the all new ZBrush 4R3, developing fur and hair geometry is
easier than ever before. The days of relying on guides as used in other
applications are a thing of the past! Generating fur, fibers and hair
inside ZBrush 4R3 is as intuitive as laying down a brush stroke.
Rendering and re-rendering are a thing of the past too. You can watch
in real time as your creative energy is transferred to the ZBrush
canvas.
The functionality of the new FiberMesh is extended by a set of advanced
controls designed to help you generate exactly what you imagine. The
masking controls, brush settings, PolyPaint and curves, all contribute
to the speed and efficiency of your designs.
The greatest benefit of all comes in the form of exportable geometry
derived from your FiberMesh designs. This means you can export these
complex design elements in the form of real geometry for use in other 3D
packages. Or use BPR (Best Preview Render) within ZBrush and see how
your hair of fibers come to life all within ZBrush.
Since Photoshop CS3, Adobe has done numerous changes for their 3D option. But in CS6, they just revamped the whole tool with more options to create precise 3D effects. Here is the quick demo of Adobe Photoshop CS6 3D Demo by IceFlowStudios.
Though there have been plenty of previews of Adobe Creative Suite 6 before today’s big product announcement (not the least of which was the public beta of Photoshop CS6), Adobe has now unveiled not only all 14 updated applications, but also its new and much-debated
Creative Cloud subscription service. The $75 per month Creative Cloud
offering (or $50 per month with an annual membership), serves up all the
CS6 applications as well as Adobe Muse and Edge Preview, two new HTML5
products. Originally introduced last fall in conjunction with the
original Adobe Touch
tablet-based apps, the subscription service not only lets you download
and install the Adobe desktop applications to your PC, but it also
includes connectivity to Adobe Touch apps and provides 20GB of
cloud-based storage so you can access your files from any web browser,
and view, synchronize, and share your files across multiple computing
devices (e.g., tablet and desktop PCs). Existing users of CS3, CS4, CS5,
and CS5.5 are being offered a discounted introductory price of $30 per
month and there’s also a free membership with only 2GB of storage space
that lets you synchronize and share files across devices, and includes
30-day free trials of all the desktop applications included in the paid
membership.
For the folks who balk at the idea of a monthly subscription, of
course, you can still buy the CS6 apps on their own the traditional way:
by coughing up a lot of cash up front. As usual, there are a number of
different bundles available-the four this time around comprise CS6
Design & Web Premium ($1,899), Design Standard ($1,299), Production
Premium ($1,899), and Master Collection ($2,599). Upgrade pricing is
$299 for Design Standard, $399 for the two Premium editions and $549 for
Master Collection.
Key application updates include:
Adobe Photoshop CS6:
Photoshop (and Photoshop Extended) has been revamped significantly,
most noticeably with its darker (though customizable) and more modern
interface and major performance increases enabled by hardware
acceleration. New features abound as well (see related post), with even more tools that take advantage of content-aware
technology. Also significantly, video features that were previously
available only in Photoshop Extended have been moved to the standard
version, though 3D tools remain in the Extended version.
Adobe Illustrator CS6: Like
Photoshop, Illustrator has been updated with a more modern look (dark
gray by default, but customizable) and performance boosts via GPU
acceleration. Key features include a new image tracing engine, a new
pattern creation tool, and the ability to apply gradients to strokes.
The new version also includes 64-bit support for both Windows and Mac
(as Photoshop has since CS5).
Adobe InDesign CS6:
Key features in the updated version of Adobe’s page-layout application
include new Adaptive Design Tools, including Alternate Layout (lets you
easily create multiple layouts of the same document for different
devices or prints), Liquid Layout (lets you apply page rules that
automatically adapt content as you change layout size, orientation,
etc.) , Content Collector Tools (lets you grab multiple pieces of
content from an existing layout and repurpose them the same document or
different documents), and Linked Content (lets you link content from
document to document, or layout to layout within the same document, so
changes are applied across the linked text or objects).
Adobe Premiere Pro CS6: As
with Photoshop and Illustrator, Adobe’s video editing application
sports a new interface and big hardware acceleration performance boosts.
The streamlined interface includes a new Project Panel with large (and
resizable) 16×9 thumbnails that allow you to preview clips by what Adobe
calls Hover Scrub (i.e., hovering and sliding your mouse across the
thumbnail to scrub through the video) and even click inside the clip to
set in and out points. New advanced trimming tools allow you to trim
clips directly in the timeline using keyboard shortcuts or dynamically
inside the Program Monitor. New adjustment layers let you apply effects
across multiple clips (similar to layers in Photoshop) and create masks
to make changes to a selected area of a shot.
The day 12th May 2012 is memorable for us because Arena Animation Chowringhee was awarded India Education Excellence Award 2012 for the 'Best Animation & VFX Institute in West Bengal' by Time Research Media. The prestigious award was received by Centre Director Mr. A.D. Singh from the famous author Mr. Chetan Bhagat at Crown Plaza Hotel, New Delhi. We are extremely proud of this achievement. Now we are the No.1 Animation & VFX institute in Bengal.
With the objective of recognizing creative excellence in
graphics and animation, the 14th Annual Awards ceremony by the
students of Arena Animation, Chowringhee was held on the 10th of December
2011 at Vidya Mandir, Kolkata.
The Director of the Chowringhee centre, Mr. A.D.Singh said
that this Annual Fest is an interface – a platform in order to recognize talent and promote it.. The
students will be showcasing their works in different categories like
Promotional Ad Campaign, Cartooning, Flash Animation, 3D Game Character design,
Comics, Live Action, Photography and Web Template besides Short Film category
called Chalochhobi.
The contests started from the month of Apr’11 culminate with
its grand finale Awards show.During the show, the final nominations were
showcased and the winners will be announced for each category. Along with this
the students chipped in by performances in skits, fashion show, dance, songs.
The show was anchored by Roy, RJ of Fever channel. Red FM
was the online radio partner for the same. More than 165 students have
participated in the contests which have been judged by respected professionals
in the industry. All of these judges are very respected in the industry
consisting of names like Arthur Cardozo, Santosh Sawant, Pankaj Maloo, Shambhu
Jaiswal etc.
The chief guest for the show was the table percussionist
Tanmoy Bose who was all praises for the student’s work. The complete details
are available on the website www.arenainterface.com
Mr. Singh has said that he would like to go a step forward
in the coming year and open the contest to all professionals in the industry so
that students can compete at par with others in the industry.
Winners of Interface Awards 2011
Logo Animation
1st - Jayanta Das
2nd - Rajat Bhowmick
3rd - Shalini Pandey
4th - Roopam Bagish, Vivekananda Basuli & Sudipta Karak
5th -Manash Parh, Tanmoy Das, Arindam Bhunia